Netflix’s Polar

It’s my fake Friday. I took a long ass nap. I’m gonna make a frozen Quest pizza and stay up super late.

Some background: I decided to do another booknook. I ordered a generic “Rose Detective Agency.” One that is clearly knocking off Sherlock. The address is 210B Rose Street. Well, that can’t stand. Clearly I’ll have to fix the address and street sign. So if I’m doing that… I might as well do some other customizations… So this led me down a Sherlock (BBC, Benedict Cumberbatch) hole. I’ve decided I’ve just got to rewatch the show for inspiration. I was going to do it this weekend.

So I find myself up late with time to kill. I’ll start my Sherlock binge early! So I pull up Netflix as I assume it’s on there. And I see this:

Interesting, maybe I’ll add it to my watch list. The description: “John Wick meets The Equalizer.” John Wick kinda already was the Equalizer over the dog, but show me more. I watched the trailer.

Well, fuck. Now I’m waiting on my pizza to be done so I can start my movie. It’s totally Mads Mikkelsen as an over-the-top John Wick. It won’t be as good, but it looks like a damn good ride. I’m down.

REVIEW:

It takes over an hour before they even inspire the guy to do any vengeance. In that hour there’s a LOT of gratuitous sex. We’re talking a LOT. Even boobs against a window at one point. The characters are just insanely over the top caricatures of villains. I’ve paused here at the 1 hour and 21 minute mark and it’s FINALLY about to get good. With only 36 minutes left — at least 6 of which is probably credits.

To even compare this to John Wick is just insulting to everyone. I feel like this movie is insulting to Mads Mikkelsen’s talent, even. I mean fuck. It better be a damn good 30 minutes.

***SPOILERS AFTER THIS POINT***

Not that he should be alive at this point, having been tortured for three days and I don’t think they gave him water to drink during any of that and he’s bleeding like a lot — for three days. So very implausible — but he’s finally about to escape and do some killing. Here we go.

So he’s escaping and kicking ass. Only the occasional stop to pant to show he’s struggling. He’s even been shot in the leg by this point. He’s missing an eye — part of the 3 days of being tortured and bleeding. Like maybe if they had only tortured and starved and dehydrated him for one day, I’d give it to you. I mean give me SOMETHING to buy here. But he was literally chained up the whole time. They made a point to show him still chained on the floor before and after each torture — next to a floor drain — for the blood, of course. So like, he hasn’t even been able to go shit or anything. Much less get a drink of water. This is stupid.

And surprising left filed twist ending plus a set up for a second movie.

THUMBS DOWN. You suck, Netflix. I should have watched Sherlock.

I can’t fucking believe you DARED to compare this to John Wick. Fuck.

Cavill quit the Witcher!?

I’m so devastated that Henry Cavill announced he is leaving the Witcher. HE IS GERALT. He’s sex on a stick as Geralt. He’s gushed about this character. He wanted to be this character. He’s a big fan of this character and he’s quitting for Superman? Fucking Superman sucks.

But you know, I may be a naive idiot, but I truly believe Henry Cavill is a big fat nerd and would choose the Witcher over Superman. I think he’s leaving, not for Superman, but because Netflix isn’t remaining true to the source material he loves. Everyone fucking loves the Witcher — and Netflix wants that. But the books are about Ciri. And they’ve already deviated a lot from the books to keep Ciri and Geralt together (Ciri should have been sent off to lean magic at the temple and eventually train with Yennifer alone). And the next bit is Ciri getting lost and spending at least what would equate to a whole season on her own with little horse in the desert and then joining the rats.

It sucked reading the parts with just Ciri cause you’re watching/reading for Geralt. But that’s the source material. And I don’t think Netflix wants to do that. Not that it wasn’t still good. The books also switch to Geralt’s journey to find Ciri and we meet two of the most awesome characters — Milva and Regis because of it. But I don’t think Netflix wants to gamble on us watching the real story if it means leaving Cavill out for huge swaths of time. Which it requires.

I admit, I LOVE Cavill as Geralt. He’s insanely hot dirtied up with grey hair. Like hot. He does nothing for me as Superman. However, I think his nerdy ass self kept the Netflix show on track. Without him it’s gonna be a shit show that completely veers from the books. Netflix knows we wanna watch Geralt and not a whole season of just Ciri coming to age. But Cavill knows thats an important part of the story that needs to be told. So he’s bailing rather than bastardizing the material. IMO

Like I said, they’ve already changed a lot from the books. The monoliths weren’t in the books. In the books, Ciri grew up knowing about Geralt and loved him and wanted him to take her to be a Witcher but he didn’t want to. But now that it’s time to really commit to Ciri as the central character, I believe, Netflix is chickening out. And this makes me sad. I could skip the Ciri bits, sure — but the Geralt bits that come after are awesome! I wanna meet Regis! I fucking love Regis!

Dammit, Netflix! You suck and I hope the show doesn’t even finish now.

British not Blown Away by the Americans.

So I recently finished bingeing all five seasons of The Great Pottery Throwdown. It’s a spinoff of The Great British Baking Show. It’s pretty much the exact same show, just with pottery instead of baking. The Britishness is there. The camaraderie. The passion. The group is there. They work as a group of passionate artists rather than as competitors. When someone breaks down, the others swarm around them to help. “How can we help,” “We can fix this,” “Just get something up for judging,” “Don’t give up.” They’re just so damn friendly and helpful.

It’s not just the contestants either. When it’s time for judging, the judges find the positives to say about everything. Usually when they point out a failure it’s kind of a combination sentence. Like “We can see the obvious cracking in the structure, but you’ve really excelled at getting the lip on this pot just right.” “We can see your throwing skills are really improving.” So much fucking positivity. I love it.

Now I’m about to finish up season three of Blown Away. It’s an American competition show with glass blowing. And like most American competitions, it’s cut throat. The contestants are out to get each other. They’re fighting for the win. Everyone else there is someone blocking your way to the finale. Even the judging is harsh. They’re looking at these beautiful glass sculptures and just picking them apart and saying every bad thing they can think of about every one. Even abstract shit like “I just don’t like it.”

Well, I just don’t like it either. I love the — well, love — of the “Great British …” shows. They’re uplifting. And is it a coincidence that the British shows are being played for titles and “worthless” trophies. The American shows are up for money and prizes and glory.

Watching one right after the other is just a bummer, really. I want more nice people making pretty things! I guess I’m gonna have to start burning through the seasons of The Great British Baking Show that I haven’t watched yet.